Oedipus Rex

  • November 7, 2015 / 14:00
  • November 13, 2015 / 21:00

Director: Pier Paolo Pasolini
Cast: Silvana Mangano, Franco Citti, Alida Valli
Italy, 104’, 1967, color
Italian with Turkish subtitles

A dark and riveting retelling of the classic tragedy "Oedipus Rex." Unknown to himself, Oedipus kills his father and marries his mother. When the truth is discovered, he puts out his eyes and Oedipus wanders the streets until he is found by his daughter; Antigone, a common blind beggar. Set in Morocco, the film is a visual wonder of desert landscapes and powerful Moorish architecture. This cast includes avant-garde film and theater director Carmelo Bene, Julian Beck from New York’s Living theater, and Pasolini himself as the High Priest.

Accattone

Accattone

Oedipus Rex

Oedipus Rex

The Hawks and the Sparrows

The Hawks and the Sparrows

The Gospel According to St. Matthew

The Gospel According to St. Matthew

Love Meetings

Love Meetings

Mamma Roma

Mamma Roma

Love and Anger: The Sequence of the Paper Flower

Love and Anger: The Sequence of the Paper Flower

The Grim Reaper

The Grim Reaper

Notes Towards an African Orestes

Notes Towards an African Orestes

The Rage of Pasolini

The Rage of Pasolini

Prophecy: Pasolini's Africa

Prophecy: Pasolini's Africa

Trailer

Oedipus Rex

Rational Medicine in Byzantium

Rational Medicine in Byzantium

Byzantine medical art was grounded in the Greco-Roman medicine transmitted by Hippocrates and Galen and new concepts introduced by such physicians as Oribasios of Pergamon, Aetius of Amida, Alexander of Tralles and Paul of Aegina. 

Giorgio de Chirico

Giorgio de Chirico

Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.

The Battle of Varna

The Battle of Varna

Over the years of 1864 through 1876, Stanisław Chlebowski served Sultan Abdülaziz in Istanbul as his court painter. As it was, Abdülaziz disposed of considerable artistic talents of his own, and he actively involved himself in Chlebowski’s creative process, suggesting ideas for compositions –such as ballistic pieces praising the victories of Turkish arms.