Director: Pier Paolo Pasolini
Cast: Enrique Irazoqui, Margherita Caruso, Susanna Pasolini
Italy, 137’, 1964, black & white
Italian with Turkish subtitles
The birth, life, teachings and death on the cross of Jesus Christ presented almost as a cinéma-vérité documentary. Pasolini's second feature seemed a strange choice for such a revolutionary director, but it is an attempt to take Christ out of the opulent church and present him as an outcast Italian peasant. Applying Neo-Realist methods, the director shot in Calabria, using the expressive faces of non-professionals including that of his mother as the Virgin Mary. The Gospel According to Saint Matthew is considered the greatest screen version of the "greatest story ever told" and this freshly remastered version brings the film to life in a away that has never been seen before. Nominated for Best Art Direction, Best Costume Design and Best Music at the 1967 Academy Awards.
Trailer
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
Following the opening of his studio, “El Chark Societe Photographic,” on Beyoğlu’s Postacılar Caddesi in 1857, the Levantine-descent Pascal Sébah moves to yet another studio next to the Russian Embassy in 1860 with a Frenchman named A. Laroche, who, apart from having worked in Paris previously, is also quite familiar with photographic techniques.
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