Director: Pier Paolo Pasolini
Cast: Ninetto Davoli, Rochelle Barbini, Aldo Puglisi
Italy, 12’, 1969, black & white
Italian with Turkish subtitles
The Paper Flower Sequence, from the anthology film Love and Anger, “[Pasolini’s film] is a reference to the Gospel parable called ‘The Barren Fig Tree,’ where Christ strikes down a fig tree because it isn’t bearing fruit in March, although it could hardly hav e known better. In the episode, Ninetto is shown happily walking down the via Nazionale in Rome, while in superimposition there are images of various things going on in the world, such as the bombing of Vietnam, of which the man remains blissfully ignorant and unaware.”
If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.
A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.
Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.
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The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
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