The Hawks and the Sparrows

  • November 7, 2015 / 16:00
  • November 18, 2015 / 19:00

Director: Pier Paolo Pasolini
Cast: Totò, Ninetto Davoli, Femi Benussi
Italy, 91’, 1966, black & white
Italian with Turkish subtitles 

The Hawks and the Sparrows, a wildly comic fable, stars the beloved stone faced clown Toto as an Italian everyman, and Ninetto Davoli as his good-natured but empty headed son. Pasolini uses a comic crow, which philosophizes amusingly and pointedly about the passing scene as a counterpoint to the performers, representing humanity, as they progress down the road of life. This tragic fable is a delight that captures the peril of two innocents caught in the paradox of Italian life between the Church and the State.

Accattone

Accattone

Oedipus Rex

Oedipus Rex

The Hawks and the Sparrows

The Hawks and the Sparrows

The Gospel According to St. Matthew

The Gospel According to St. Matthew

Love Meetings

Love Meetings

Mamma Roma

Mamma Roma

Love and Anger: The Sequence of the Paper Flower

Love and Anger: The Sequence of the Paper Flower

The Grim Reaper

The Grim Reaper

Notes Towards an African Orestes

Notes Towards an African Orestes

The Rage of Pasolini

The Rage of Pasolini

Prophecy: Pasolini's Africa

Prophecy: Pasolini's Africa

Trailer

The Hawks and the Sparrows

Portrait of a Bullfighter (1797)

Portrait of a Bullfighter (1797)

The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black. 

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’. 

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!