Director: Pier Paolo Pasolini, Giuseppe Bertolucci
Cast: Giorgio Bassani, Renato Guttuso, Giuseppe Bertolucci
Italy, 83’, 2008, black & white, color
Italian with Turkish subtitles
In 1962, Pasolini was invited by an Italian newsreel producer to create a feature-length film essay from his company’s library of footage. Inspired by diverse wealth of imagery, Pasolini set out to make a film as “a show of indignation against the unreality of the bourgeois world.” Assembling images from the Soviet bloc and various anti-colonial movements as complement and contrast to the newsreel footage, Pasolini crafted a remarkable tour de force of politically trenchant commentary on the modern world, climaxing in a moving meditation on the death of Marilyn Monroe. Fearing controversy and box-office failure, the producer ordered Pasolini to cut the original version to less than an hour and then promptly added a right-wing counterpart by the filmmaker Giovanni Guareschi, packaging the two parts as one film. Disowned by Pasolini, this version was indeed a failure. Although Pasolini’s original version remains lost, an ambitious reconstruction was recently completed by Giuseppe Bertolucci and the Cineteca di Bologna using the shot list and a dialogue transcript from the first version, as well as Pasolini’s notes on music for the film.
A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.
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Friday 10:00 - 22:00
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On Wednesdays, the students can
visit the museum free of admission.
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