Accattone

  • November 4, 2015 / 19:00
  • November 11, 2015 / 19:00

Director: Pier Paolo Pasolini
Cast: Franco Citti, Franca Pasut, Silvana Corsini
Italy, 120’, 1961, black & white

Italian with Turkish subtitles 

The first of Pier Paolo Pasolini's highly acclaimed films and the winner of numerous film festival prizes, Accattone uses a talented cast to present a vivid picture of the Roman slums. Based on one of the filmmaker/poet's novels, this story of a pimp, his friends, his enemies and his girls is realism at its earthiness. It is brutal, realistic, un-sentimental and bustling with life. Particularly effective is the use of Johann Sebastian Bach on the soundtrack, which provides the ironic counterpoint of the world of prostitutes and street fighters.

Accattone

Accattone

Oedipus Rex

Oedipus Rex

The Hawks and the Sparrows

The Hawks and the Sparrows

The Gospel According to St. Matthew

The Gospel According to St. Matthew

Love Meetings

Love Meetings

Mamma Roma

Mamma Roma

Love and Anger: The Sequence of the Paper Flower

Love and Anger: The Sequence of the Paper Flower

The Grim Reaper

The Grim Reaper

Notes Towards an African Orestes

Notes Towards an African Orestes

The Rage of Pasolini

The Rage of Pasolini

Prophecy: Pasolini's Africa

Prophecy: Pasolini's Africa

Trailer

Accattone

Modernity Building the Modern / Reshaping the Modern

Modernity Building the Modern / Reshaping the Modern

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.

The Golden Horn

The Golden Horn

When regarding the paintings of Istanbul by western painters, Golden Horn has a distinctive place and value. This body of water that separates the Topkapı Palace and the Historical Peninsula, in which monumental edifices are located, from Galata, where westerners and foreign embassies dwell, is as though an interpenetrating boundary.

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.