A Bit of Dirt

  • October 5, 2013 / 14:00
  • October 9, 2013 / 19:00

Director: Erik Moskowitz
USA; color, 10’, 2005
English with Turkish subtitles


His latest work, "A Bit of Dirt," features an operatic video installation based on avant-garde Polish writer Stanislaw Ignacy Witkiewicz's Isatiability. Moskowitz's employment of projection suggests a Lacanian, pre-mirror stage of identity, where there exists a fluidity of boundaries and "You" cannot easily be distinguished from "I." More generally, A Bit of Dirt implicates all of us, who, like Moskowitz's characters, sit comfortably on our evening couches and critique the current state of affairs without engaging in concrete action.

Walk Through

Walk Through

Monuments

Monuments

The Colors that Combine to Make White Are Important

The Colors that Combine to Make White Are Important

Social Visions

Social Visions

The Poor Stockinger, the Luddite Cropper and the Deluded Followers of Joanna Southcott

The Poor Stockinger, the Luddite Cropper and the Deluded Followers of Joanna Southcott

Los Ultimos Cristeros

Los Ultimos Cristeros

Two Russians in the Free World

Two Russians in the Free World

The Story of Elfranko Wessels

The Story of Elfranko Wessels

Cloud Cuckoo Land

Cloud Cuckoo Land

A Bit of Dirt

A Bit of Dirt

Night Replay

Night Replay

Portrait of Martín Zapater (1797)

Portrait of Martín Zapater (1797)

Martín Zapater y Clavería, born in Zaragoza on November 12th 1747, came from a family of modest merchants and was taken in to live with a well-to-do aunt, Juana Faguás, and her daughter, Joaquina de Alduy. He studied with Goya in the Escuelas Pías school in Zaragoza from 1752 to 1757 and a friendship arose between them which was to last until the death of Zapater in 1803. 

Transition to Sculpture

Transition to Sculpture

If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day.