Walk Through

  • October 2, 2013 / 19:00
  • October 12, 2013 / 16:00

Director: Redmond Entwistle
USA, UK; black & White, 18’, 2012
English with Turkish subtitles


Redmond Entwistle’s new film Walk-Through, a combination of documentary and fictionalised reconstruction, is a multi-faceted analysis of contemporary art education and the very particular impact of Michael Asher’s ‘post-studio class’ at the California Institute of the Arts, Los Angeles in the 1970s. The ‘Post-Studio’ class exemplified CalArt’s mission to “haul the teacher from the podium” and activate the student in the learning process. It took the form of extended group discussions - sometimes lasting over 12 hours - in which students critiqued each other's work. Subsequently the group critique has become the primary model of teaching in arts schools today. Walk-Through is devised as a tour of the campus, which guides us through CalArts’ history and the life of the school, from archive images of its design and construction in the late 1960’s to the present day. The film analysis the school's mission, its place in art history, and its flexible architecture, which was designed to facilitate its democratic philosophy.

Walk Through

Walk Through

Monuments

Monuments

The Colors that Combine to Make White Are Important

The Colors that Combine to Make White Are Important

Social Visions

Social Visions

The Poor Stockinger, the Luddite Cropper and the Deluded Followers of Joanna Southcott

The Poor Stockinger, the Luddite Cropper and the Deluded Followers of Joanna Southcott

Los Ultimos Cristeros

Los Ultimos Cristeros

Two Russians in the Free World

Two Russians in the Free World

The Story of Elfranko Wessels

The Story of Elfranko Wessels

Cloud Cuckoo Land

Cloud Cuckoo Land

A Bit of Dirt

A Bit of Dirt

Night Replay

Night Replay

Midnight Horror Stories: The Landlord <br> Hakan Bıçakcı

Midnight Horror Stories: The Landlord
Hakan Bıçakcı

Three people sleeping side by side. On the uncomfortable seats of the stuffy airplane in the air. Three friends. I’m the friend in the window seat. The other two are a couple, Emre and Melisa. I’m alone, they are together. And another difference. I’ve only closed my eyes. They are asleep.

Portrait of a Bullfighter (1797)

Portrait of a Bullfighter (1797)

The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black. 

Andy Warhol’s Screen Tests

Andy Warhol’s Screen Tests

Between 1963 and 1966 Andy Warhol worked at making film portraits of all sorts of characters linked to New York art circles. Famous people and anonymous people were filmed by Andy Warhol’s 16 mm camera, for almost four minutes, without any instructions other than ‘to get in front of the camera’.