Social Visions

  • October 2, 2013 / 19:00
  • October 12, 2013 / 16:00

Director: Redmond Entwistle
UK; black & white, 15’, 2000
English with Turkish subtitles

This film suggests the myriad histories and futures that constitute Los Angeles; a city whose public image has been used as cover for the abuse of its population but also a city where one senses the potential for radical social change. Without money or political power, the majority of people who live here are invisible. Social Visions is about the impossibility of adequately representing a city when whole sections of the population are excluded from the channels of power.

Walk Through

Walk Through

Monuments

Monuments

The Colors that Combine to Make White Are Important

The Colors that Combine to Make White Are Important

Social Visions

Social Visions

The Poor Stockinger, the Luddite Cropper and the Deluded Followers of Joanna Southcott

The Poor Stockinger, the Luddite Cropper and the Deluded Followers of Joanna Southcott

Los Ultimos Cristeros

Los Ultimos Cristeros

Two Russians in the Free World

Two Russians in the Free World

The Story of Elfranko Wessels

The Story of Elfranko Wessels

Cloud Cuckoo Land

Cloud Cuckoo Land

A Bit of Dirt

A Bit of Dirt

Night Replay

Night Replay

Memory Building Memories / Memory Room / Memento Mori

Memory Building Memories / Memory Room / Memento Mori

Each memory tells an intimate story; each collection presents us with the reality of containing an intimate story as well. The collection is akin to a whole in which many memories and stories of the artist, the viewer, and the collector are brought together. At the heart of a collection is memory, nurtured from the past and projecting into the future.

Audience with the Mad King

Audience with the Mad King

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.