Director: Amanda Trager, Erik Moskowitz
Cast: Joshua Mack, Sasha Jampolsky, Amanda Trager, Erik Moskowitz, Robert Janitz, Irina Kachanovskaya, Jessie Stead
USA; color, 30’, 2013
English with Turkish subtitles
Moskowiz + Trager's piece from 2013 presents a dialogue between the two men, while posing a deeper question: Why and for whom do artists create? Representing a range of transactions and exchanges, the video explores allegorical and utopian connections between artistic inspiration, love and the marketplace. The narrative telescopes out to include the story of its own making as the actual artist/filmmakers depict themselves debating plot line and meaning as well as the virtues (or lack thereof) of their collaboration. But are they really the ones in control? The mysterious presence of three women suggest otherwise.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
Following the opening of his studio, “El Chark Societe Photographic,” on Beyoğlu’s Postacılar Caddesi in 1857, the Levantine-descent Pascal Sébah moves to yet another studio next to the Russian Embassy in 1860 with a Frenchman named A. Laroche, who, apart from having worked in Paris previously, is also quite familiar with photographic techniques.
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