The Poor Stockinger, the Luddite Cropper and the Deluded Followers of Joanna Southcott

  • October 3, 2013 / 17:00
  • October 5, 2013 / 16:00

Director: Luke Fowler
UK; color, 61’, 2012
English with Turkish subtitles


Focuses on the work of the Marxist historian Edward Palmer Thompson, who, from 1946 (at the age of 24), was employed by the Workers’ Education Association (WEA) to teach literature and social history to adults in the industrial towns of the West Riding. These classes were open to people who historically had been unable to access a university education.Fowler’s film explores the issues that were at stake for progressive educationalists.

Walk Through

Walk Through

Monuments

Monuments

The Colors that Combine to Make White Are Important

The Colors that Combine to Make White Are Important

Social Visions

Social Visions

The Poor Stockinger, the Luddite Cropper and the Deluded Followers of Joanna Southcott

The Poor Stockinger, the Luddite Cropper and the Deluded Followers of Joanna Southcott

Los Ultimos Cristeros

Los Ultimos Cristeros

Two Russians in the Free World

Two Russians in the Free World

The Story of Elfranko Wessels

The Story of Elfranko Wessels

Cloud Cuckoo Land

Cloud Cuckoo Land

A Bit of Dirt

A Bit of Dirt

Night Replay

Night Replay

Unhomely!  <br>Lee Miller

Unhomely!
Lee Miller

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.

The Golden Horn

The Golden Horn

When regarding the paintings of Istanbul by western painters, Golden Horn has a distinctive place and value. This body of water that separates the Topkapı Palace and the Historical Peninsula, in which monumental edifices are located, from Galata, where westerners and foreign embassies dwell, is as though an interpenetrating boundary.

Modernity Building the Modern / Reshaping the Modern

Modernity Building the Modern / Reshaping the Modern

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.