The Diaspora Suite - Fluid Frontiers

Director: Ephraim Asili
Canada, USA, 2017, 23', HDD, color
English with Turkish subtitles

Ephraim Asili’s five-part series The Diaspora Suite is both a personal and global study of the African diaspora. Created over the course of seven years, every film in the series has a unique rhythm built around a specific amalgam of footage shot in American and international locations — each an important site within the African diaspora.

Fluid Frontiers is the fifth and final film in the series entitled The Diaspora Suite, exploring Asili’s personal relationship to the African Diaspora.

The House Is Black

The House Is Black

Memory Surfaces and Mental Prayers

Memory Surfaces and Mental Prayers

The Diaspora Suite - Forged Ways

The Diaspora Suite - Forged Ways

The Diaspora Suite - American Hunger

The Diaspora Suite - American Hunger

The Diaspora Suite - Many Thousands Gone

The Diaspora Suite - Many Thousands Gone

The Diaspora Suite - Kindah

The Diaspora Suite - Kindah

The Diaspora Suite - Fluid Frontiers

The Diaspora Suite - Fluid Frontiers

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day. 

Giorgio de Chirico

Giorgio de Chirico

Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.