The Diaspora Suite - American Hunger

Director: Ephraim Asili
Ghana, USA, 2013, 19', HDD, color, b&w
English with Turkish subtitles 

Ephraim Asili’s five-part series The Diaspora Suite is both a personal and global study of the African diaspora. Created over the course of seven years, every film in the series has a unique rhythm built around a specific amalgam of footage shot in American and international locations — each an important site within the African diaspora.

American Hunger explores the relationship between personal experience and collective histories. American fantasies confront African realities.

The House Is Black

The House Is Black

Memory Surfaces and Mental Prayers

Memory Surfaces and Mental Prayers

The Diaspora Suite - Forged Ways

The Diaspora Suite - Forged Ways

The Diaspora Suite - American Hunger

The Diaspora Suite - American Hunger

The Diaspora Suite - Many Thousands Gone

The Diaspora Suite - Many Thousands Gone

The Diaspora Suite - Kindah

The Diaspora Suite - Kindah

The Diaspora Suite - Fluid Frontiers

The Diaspora Suite - Fluid Frontiers

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day. 

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.