The Diaspora Suite - Many Thousands Gone

Director: Ephraim Asili
Brazil, USA, 2014, 8', HDD, color
English with Turkish subtitles 

Ephraim Asili’s five-part series The Diaspora Suite is both a personal and global study of the African diaspora. Created over the course of seven years, every film in the series has a unique rhythm built around a specific amalgam of footage shot in American and international locations — each an important site within the African diaspora.

Filmed on location in Salvador, Brazil (the last city in the Western Hemisphere to outlaw slavery) and Harlem, NY ( an international stronghold of the African Diaspora), Many Thousands Gone draws parallels between a summer afternoon on the streets of the two cities.

The House Is Black

The House Is Black

Memory Surfaces and Mental Prayers

Memory Surfaces and Mental Prayers

The Diaspora Suite - Forged Ways

The Diaspora Suite - Forged Ways

The Diaspora Suite - American Hunger

The Diaspora Suite - American Hunger

The Diaspora Suite - Many Thousands Gone

The Diaspora Suite - Many Thousands Gone

The Diaspora Suite - Kindah

The Diaspora Suite - Kindah

The Diaspora Suite - Fluid Frontiers

The Diaspora Suite - Fluid Frontiers

İstanbul: Before & After

İstanbul: Before & After

Selected from the Suna and İnan Kıraç Foundation Photography Collection, we present the landscapes and places in Istanbul photographs, dating from the 1850s to the 1980s, together with their present-day views!

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

Il Cavallo di Leonardo

Il Cavallo di Leonardo

In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.