Memory Surfaces and Mental Prayers

Director: Bill Viola USA,
1977, 29', HDD, color
English with Turkish subtitles

Memory Surfaces and Mental Prayers is a collection of works that address the desire to transcend the perceptual and cognitive structures of experience. Viola describes The Wheel of Becoming as concerning "the notion of the parallel nature of reality, that is, simultaneous events separated in space." The Morning After the Night of Power refers to a passage of the Koran in which angels descend from the heavens to impart the divine inspiration to followers. Using a camera moving along a predetermined path to create the effect of a simulated zoom, Sweet Light refers to the seduction of illumination, focusing on the phototropic vision of a moth.

The House Is Black

The House Is Black

Memory Surfaces and Mental Prayers

Memory Surfaces and Mental Prayers

The Diaspora Suite - Forged Ways

The Diaspora Suite - Forged Ways

The Diaspora Suite - American Hunger

The Diaspora Suite - American Hunger

The Diaspora Suite - Many Thousands Gone

The Diaspora Suite - Many Thousands Gone

The Diaspora Suite - Kindah

The Diaspora Suite - Kindah

The Diaspora Suite - Fluid Frontiers

The Diaspora Suite - Fluid Frontiers

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.