A Girl Walks Home Alone at Night

  • November 3, 2017 / 19:00
  • November 29, 2017 / 19:00

Director: Ana Lily Amirpour
Cast: Sheila Vand, Arash Marandi, Marshall Manesh, Mozhan Marnò
Iran, USA, 2014, 101', b&w
Persian with Turkish subtitles
 

A Girl Walks Home Alone at Night is steeped in other influences: Spaghetti Westerns, 1950s juvenile delinquent movies, gearhead movies, teenage rom-coms, the Iranian New Wave. Shot in California but set in a distorted, black and white version of Iran called Bad City, director Ana Lily Amirpour draws on an eclectic assortment of influences and blends aesthetics associated with Eastern and Western filmmaking to create work that has been billed as the “first Iranian vampire Western” and hailed as a female-empowered and unique take on the vampire film.

Valerie and Her Week of Wonders

Valerie and Her Week of Wonders

Rabid

Rabid

Near Dark

Near Dark

Cronos

Cronos

Let the Right One In

Let the Right One In

Byzantium

Byzantium

Only Lovers Left Alive

Only Lovers Left Alive

A Girl Walks Home Alone at Night

A Girl Walks Home Alone at Night

What We Do in the Shadows

What We Do in the Shadows

The Lure

The Lure

The Transfiguration

The Transfiguration

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’. 

Portrait of a Bullfighter (1797)

Portrait of a Bullfighter (1797)

The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black.