Near Dark

  • November 5, 2017 / 15:00
  • November 15, 2017 / 17:00

Director: Kathryn Bigelow
Cast: Adrian Pasdar, Jenny Wright, Lance Henriksen, Bill Paxton
USA, 1987, 94', color
English; with Turkish subtitles

 

Long before Bella mooned over Edward, Kathryn Bigelow made the definitive teen-vampire romance — though it could be argued that her justly revered and muchimitated second feature may be more of a western at heart. Consider the abundance of sun-scorched scenery and the aw-shucks way that Adrian Pasdar’s young cowboy falls for Jenny Wright’s sweet-seeming damsel, prior to discovering that she travels in some seriously bad company: a savage gang of bloodsucking outlaws that rides the range in a blacked-out RV, slaking their thirst on unwary cowpokes and raining down death and destruction upon anyone who happens to be in the wrong road house at the wrong time. Bigelow stages some spectacularly vicious set pieces, but also brings a startling tenderness and sexiness to the romance at the core of all the carnage.

Valerie and Her Week of Wonders

Valerie and Her Week of Wonders

Rabid

Rabid

Near Dark

Near Dark

Cronos

Cronos

Let the Right One In

Let the Right One In

Byzantium

Byzantium

Only Lovers Left Alive

Only Lovers Left Alive

A Girl Walks Home Alone at Night

A Girl Walks Home Alone at Night

What We Do in the Shadows

What We Do in the Shadows

The Lure

The Lure

The Transfiguration

The Transfiguration

Modernity Building the Modern / Reshaping the Modern

Modernity Building the Modern / Reshaping the Modern

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.

Giacometti: Early Works

Giacometti: Early Works

Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development. 

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.