Long before Bella mooned over Edward, Kathryn Bigelow made the definitive teen-vampire romance — though it could be argued that her justly revered and muchimitated second feature may be more of a western at heart. Consider the abundance of sun-scorched scenery and the aw-shucks way that Adrian Pasdar’s young cowboy falls for Jenny Wright’s sweet-seeming damsel, prior to discovering that she travels in some seriously bad company: a savage gang of bloodsucking outlaws that rides the range in a blacked-out RV, slaking their thirst on unwary cowpokes and raining down death and destruction upon anyone who happens to be in the wrong road house at the wrong time. Bigelow stages some spectacularly vicious set pieces, but also brings a startling tenderness and sexiness to the romance at the core of all the carnage.
The wind blows, rubbing against my legs made of layers of metal and wires, swaying the leaves of grass that have shot up from the cracks in the tarmac, and going off to the windows that look like the eyes of dead children in the wrecked buildings that seem to be everywhere as far as the eye can see.
We, by which I mean some of my classmates and I, knew about Paula Rego. I’ll have to admit, I didn’t know where Rego was from or even where in Europe Portugal was. I thought she was English. Let me tell you how I first heard the very un-English sounding name “Paula Rego”
Inspired by the great European masters, from Renaissance to Art Nouveau, Berber’s works exemplify the deep, opaque whites of his journeys through the fairy tale landscapes of Bosnia to the dark, macabre burrows of Srebrenica.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
