Let the Right One In

  • October 31, 2017 / 19:00
  • November 8, 2017 / 17:00

Director: Tomas Alfredson
Cast: Kåre Hedebrant, Lina Leandersson, Per Ragnar, Henrik Dahl
Sweden, 2008, 115',  color
Swedish, Spanish with Turkish subtitles

As much coming-of-age story as vampire tale, Let the Right One In is anomalously both elliptical and tender and does its unsettling work quietly. Director Tomas Alfredson treats the fantastic as the everyday stuff of life in the film. Though there
are moments of gore, Alfredson handles them with a restrained precision, and the eerie stillness of the scenes makes them shudderingly memorable. Though dark themes prevail, the essence of the film lies mainly in the relationship between Oskar
and Eli, tactfully portrayed by the talented young actors. The two emit a natural innocence even within the gloomy storyline, conveying a constant sense of hope.

Valerie and Her Week of Wonders

Valerie and Her Week of Wonders

Rabid

Rabid

Near Dark

Near Dark

Cronos

Cronos

Let the Right One In

Let the Right One In

Byzantium

Byzantium

Only Lovers Left Alive

Only Lovers Left Alive

A Girl Walks Home Alone at Night

A Girl Walks Home Alone at Night

What We Do in the Shadows

What We Do in the Shadows

The Lure

The Lure

The Transfiguration

The Transfiguration

Ideology

Ideology

Pera Museum’s  Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia. 

Artist Nicola Lorini in Conversation

Artist Nicola Lorini in Conversation

Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.

Il Cavallo di Leonardo

Il Cavallo di Leonardo

In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.