The Transfiguration is an interesting mix of art-house and genre elements. O’Shea sculpts the film into a teen-drama horror hybrid, providing Easter eggs for the genre buffs with references to vampire mythology spread throughout the film. However, instead of showcasing the supernatural, the movie excels in it’s emotional depth. This distinctive concept of the film was tested by O’Shea in his 2014 short, Milo and the extensive development on the script has contributed to a deep and more nuanced vampire saga.
Mersad Berber (1940-2012), is one of the greatest and the most significant representatives of Bosnian-Herzegovinian and Yugoslav art in the second half of the 20th century. His vast body of expressive and unique works triggered the local art scene’s recognition into Europe as well as the international stage.
Inspired by the exhibition Istanbuls Today, Today's Stories series continues with Hande Ortaç's story "Felis"! This series gathers short stories written by authors encouraged by the photographs in the exhibition.
The various states of viewing nudity entered the Ottoman world on postcards before paintings. These postcards appeared in the 1890s, and became widespread in the 1910s, following the proclamation of the Second Constitutional Monarchy, traveling from hand to hand, city to city.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
