Rabid

November 17, 2017 / 20:00
November 23, 2017 / 19:00

Director: David Cronenberg

Cast: Marilyn Chambers, Frank Moore, Joe Silver, Susan Roman

Canada, 1977, 91', color

English with Turkish subtitles

David Cronenberg’s follow-up to his debut feature, the high-rise horror Shivers, stars former adult film star Marilyn Chambers as Rose, a car accident victim left mangled and comatose before winding up on Dr. Dan Keloid’s operating table. After undergoing radical emergency plastict surgery, she survives but is left with a couple of side effects: a phallic stinger that forms under her armpit and a ravenous desire for blood… Although Rabid plays with the same themes of sexual anxiety, mutation, and disease as Shivers, in this film Cronenberg forgoes the claustrophobic atmosphere for a more expansive Canadian landscape. From Quebec to Montreal,Rose hunts victims and infects crowds of people with an unknown disease that drives them insane and bloodthirsty.

Valerie and Her Week of Wonders

Rabid

Near Dark

Cronos

Let the Right One In

Byzantium

Only Lovers Left Alive

A Girl Walks Home Alone at Night

What We Do in the Shadows

The Lure

The Transfiguration

Is mutual understanding possible? <br> Berlinde De Bruyckere

Is mutual understanding possible?
Berlinde De Bruyckere

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017. Through the biennial, we will be sharing detailed information about the artists and the artworks.

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.

Baby King

1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.