What We Do in the Shadows

  • November 12, 2017 / 18:00
  • November 24, 2017 / 21:00

Directors: Taika Waititi, Jemaine Clement
Cast: Jemaine Clement, Taika Waititi, Jonathan Brugh, Cori Gonzalez-Macuer
New Zealand, USA, 2014, 86’, color
English with Turkish Subtitles
 

Shooting films can sometimes be a real adventure. For instance, if you decide to do a documentary about vampires, it’s a good idea to get them to promise not to suck your blood. And for good measure, keep a cross hanging around your neck. Viago, Deacon and Vladislav live quietly in an old house. Vegetating in the basement is Petyr, who has seen better days, to put it mildly. Some of them are pushing 400, but they have the morals and moodiness of teenagers. They are also bothered by the fact that nobody will invite them into nightclubs. But maybe their new friend Stu can help – a person they decide to leave human. Taking its cues from the history of vampire legends and driven by unlimited fantasy, the film humorously adapts the centuries-old rules of vampiric life to the present day and entertains with equal doses of sitcom humor and tongue-in-cheek cultural references. Drinking blood sometimes gets messy, but over the centuries it has lost none of its appeal.

Valerie and Her Week of Wonders

Valerie and Her Week of Wonders

Rabid

Rabid

Near Dark

Near Dark

Cronos

Cronos

Let the Right One In

Let the Right One In

Byzantium

Byzantium

Only Lovers Left Alive

Only Lovers Left Alive

A Girl Walks Home Alone at Night

A Girl Walks Home Alone at Night

What We Do in the Shadows

What We Do in the Shadows

The Lure

The Lure

The Transfiguration

The Transfiguration

From the Age of Reason to the “Tortoise Trainer”

From the Age of Reason to the “Tortoise Trainer”

A Salon exhibition held in the Grand Palais in Paris on May 1, 1906 showcased an Ottoman painting. This was Osman Hamdi Bey’s famous “Tortoise Trainer”. 

Dancing on Architecture

Dancing on Architecture

I think it was Frank Zappa – though others claim it was Laurie Anderson – who said in an interview that ‘writing on music is much like dancing on architecture’. 

The Battle of Varna

The Battle of Varna

Over the years of 1864 through 1876, Stanisław Chlebowski served Sultan Abdülaziz in Istanbul as his court painter. As it was, Abdülaziz disposed of considerable artistic talents of his own, and he actively involved himself in Chlebowski’s creative process, suggesting ideas for compositions –such as ballistic pieces praising the victories of Turkish arms.