What We Do in the Shadows

  • November 12, 2017 / 18:00
  • November 24, 2017 / 21:00

Directors: Taika Waititi, Jemaine Clement
Cast: Jemaine Clement, Taika Waititi, Jonathan Brugh, Cori Gonzalez-Macuer
New Zealand, USA, 2014, 86’, color
English with Turkish Subtitles
 

Shooting films can sometimes be a real adventure. For instance, if you decide to do a documentary about vampires, it’s a good idea to get them to promise not to suck your blood. And for good measure, keep a cross hanging around your neck. Viago, Deacon and Vladislav live quietly in an old house. Vegetating in the basement is Petyr, who has seen better days, to put it mildly. Some of them are pushing 400, but they have the morals and moodiness of teenagers. They are also bothered by the fact that nobody will invite them into nightclubs. But maybe their new friend Stu can help – a person they decide to leave human. Taking its cues from the history of vampire legends and driven by unlimited fantasy, the film humorously adapts the centuries-old rules of vampiric life to the present day and entertains with equal doses of sitcom humor and tongue-in-cheek cultural references. Drinking blood sometimes gets messy, but over the centuries it has lost none of its appeal.

Valerie and Her Week of Wonders

Valerie and Her Week of Wonders

Rabid

Rabid

Near Dark

Near Dark

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Cronos

Let the Right One In

Let the Right One In

Byzantium

Byzantium

Only Lovers Left Alive

Only Lovers Left Alive

A Girl Walks Home Alone at Night

A Girl Walks Home Alone at Night

What We Do in the Shadows

What We Do in the Shadows

The Lure

The Lure

The Transfiguration

The Transfiguration

Soothsayer Serenades I Two-handed by Kübra Uzun

Soothsayer Serenades I Two-handed by Kübra Uzun

Today we are thrilled to present the first playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. The playlist titled Two-handed is presented by Kübra Uzun on Pera Museum’s Spotify account.

Paris Without End (1959-1965)

Paris Without End (1959-1965)

In the 60s, Alberto Giacometti paid homage to Paris, the city where he lived, by drawing its streets, cafés, and more private places like his studio and the apartment of his wife, Annette. These drawings would make up his last book, Paris sans fin (Paris Without End). 

Midnight Stories: The Soul <br> Aşkın Güngör

Midnight Stories: The Soul
Aşkın Güngör

The wind blows, rubbing against my legs made of layers of metal and wires, swaying the leaves of grass that have shot up from the cracks in the tarmac, and going off to the windows that look like the eyes of dead children in the wrecked buildings that seem to be everywhere as far as the eye can see.