Neil Jordan’s first exploration into the realm of vampirism began in 1996 with Interview with the Vampire. Now he immerses us in this lurid world via the plight of two willful women, perfectly played by Saoirse Ronan and Gemma Arterton. The film combines a traditional gothic horror story (though not one that sticks to traditional vampire law), social history and a realistic account of dealing with authentic physical distress. Neil Jordan has created this florid, preposterous but watchable soap opera of the undead; it’s a dark fantasy that contains a trace of his slight weakness for whimsy, but in some ways it’s his most effective film for some time, adapted for the screen by Moira Buffini from her stage play A Vampire Story. Byzantium fuses the polished and alluring with the vicious brutality that accompanies all great vampire films. Neil Jordan skillfully weaves romance with the gothic and gory, producing a seductive story with stunning spectral scenes.
This life-size portrait of a girl is a fine example of the British art of portrait painting in the early 18th century. The child is shown posing on a terrace, which is enclosed at the right foreground by the plinth of a pillar; the background is mainly filled with trees and shrubs.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)