Neil Jordan’s first exploration into the realm of vampirism began in 1996 with Interview with the Vampire. Now he immerses us in this lurid world via the plight of two willful women, perfectly played by Saoirse Ronan and Gemma Arterton. The film combines a traditional gothic horror story (though not one that sticks to traditional vampire law), social history and a realistic account of dealing with authentic physical distress. Neil Jordan has created this florid, preposterous but watchable soap opera of the undead; it’s a dark fantasy that contains a trace of his slight weakness for whimsy, but in some ways it’s his most effective film for some time, adapted for the screen by Moira Buffini from her stage play A Vampire Story. Byzantium fuses the polished and alluring with the vicious brutality that accompanies all great vampire films. Neil Jordan skillfully weaves romance with the gothic and gory, producing a seductive story with stunning spectral scenes.
It was a quiet night in the dessert. Even the mice weren’t around. A few LEDs blinked in the dark, and the sound of a fan filled the infinite void. The conversation cutting the silence seemed to go nowhere.
The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.
A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)
