Byron: Ballad for a Daemon

  • November 26, 2023 / 19:00

Director: Nikos Koundouros
Cast: Manos Vakousis, Farhad Mahmoudov, Vera Sotnikova
Greece, 1992, 138’, DCP, color
Greek with Turkish, English subtitles

The film depicting the final days before the death of Lord Byron, a 19th-century Romantic poet, is almost a tribute to the political beliefs and struggles of that era. It offers a unique portrayal of Byron not only as a poet but also as someone deeply in love with Greece and possessing a revolutionary spirit.

The Rehearsal

The Rehearsal

Rom

Rom

Meteor & Shadow

Meteor & Shadow

Fournoi, A Female Society

Fournoi, A Female Society

Athinai

Athinai

Megara

Megara

Children of Helidona

Children of Helidona

Doxobus

Doxobus

The Tree We Hurt

The Tree We Hurt

Theofilos

Theofilos

The Other Letter

The Other Letter

The Travelling Players

The Travelling Players

Short Film Selection

Short Film Selection

Happy Day

Happy Day

See You

See You

Byron: Ballad for a Daemon

Byron: Ballad for a Daemon

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day. 

Museum of Shedding <br> Dayanita Singh

Museum of Shedding
Dayanita Singh

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.

 

An Ottoman Ambassador and a French Bulldog at Covent Garden

An Ottoman Ambassador and a French Bulldog at Covent Garden

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.