Director: Eva Stefani
Greece, 1995, 40', DCP, color
Greek with Turkish, English subtitles
One night in the spring of 1995, the camera observing life at the Larissa Train Station in Athens introduces us to the 'tenants' of the station: Antonia, Florakis, and George. The film, shot over four weeks, presents a gallery of people living at the station by following the chronological structure of a single evening: homeless individuals, soldiers, and migrants define a space where different worlds converge and coexist.
Each memory tells an intimate story; each collection presents us with the reality of containing an intimate story as well. The collection is akin to a whole in which many memories and stories of the artist, the viewer, and the collector are brought together. At the heart of a collection is memory, nurtured from the past and projecting into the future.
Following the opening of his studio, “El Chark Societe Photographic,” on Beyoğlu’s Postacılar Caddesi in 1857, the Levantine-descent Pascal Sébah moves to yet another studio next to the Russian Embassy in 1860 with a Frenchman named A. Laroche, who, apart from having worked in Paris previously, is also quite familiar with photographic techniques.
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