Athinai

  • November 22, 2023 / 19:00

Director: Eva Stefani
Greece, 1995, 40', DCP, color
Greek with Turkish, English subtitles

One night in the spring of 1995, the camera observing life at the Larissa Train Station in Athens introduces us to the 'tenants' of the station: Antonia, Florakis, and George. The film, shot over four weeks, presents a gallery of people living at the station by following the chronological structure of a single evening: homeless individuals, soldiers, and migrants define a space where different worlds converge and coexist.

The Rehearsal

The Rehearsal

Rom

Rom

Meteor & Shadow

Meteor & Shadow

Fournoi, A Female Society

Fournoi, A Female Society

Athinai

Athinai

Megara

Megara

Children of Helidona

Children of Helidona

Doxobus

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The Tree We Hurt

The Tree We Hurt

Theofilos

Theofilos

The Other Letter

The Other Letter

The Travelling Players

The Travelling Players

Short Film Selection

Short Film Selection

Happy Day

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See You

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Byron: Ballad for a Daemon

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Memory Building Memories / Memory Room / Memento Mori

Memory Building Memories / Memory Room / Memento Mori

Each memory tells an intimate story; each collection presents us with the reality of containing an intimate story as well. The collection is akin to a whole in which many memories and stories of the artist, the viewer, and the collector are brought together. At the heart of a collection is memory, nurtured from the past and projecting into the future.

A Solitary Eagle in the Sinai Desert

A Solitary Eagle in the Sinai Desert

John Frederick Lewis is considered one of the most important British Orientalist artists of the Victorian era. Pera Museum exhibited several of Lewis’ paintings as part of the Lure of the East exhibition in 2008 organized in collaboration with Tate Britain.

A Photographer’s Biography Pascal Sebah

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Following the opening of his studio, “El Chark Societe Photographic,” on Beyoğlu’s Postacılar Caddesi in 1857, the Levantine-descent Pascal Sébah moves to yet another studio next to the Russian Embassy in 1860 with a Frenchman named A. Laroche, who, apart from having worked in Paris previously, is also quite familiar with photographic techniques.