Director: Bilen Sevda Könen
Turkey, 2019, 17’
Turkish with English subtitles
Dilara decided to go out that night. Dilara, who has not had many problems with her existence until that day, starts to find faults in herself for the first time in her life, with the rain of criticism that started with the comments made by her roommate Kübra about her choice of clothes. This question of Dilara, who compares herself with all the women she encounters or has a place in her memory for some reason, constantly drags her towards a shattered self-confidence. A surprise ending awaits Dilara, who returns home exhausted from all these thoughts later in the night.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
As the New Year approaches, Pera Film presents an alternative watchlist of 10 movies, ranging from Hollywood's timeless classics to memorable examples of modern cinema.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
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