Director: Zeynep Dadak
Turkey, Germany, 2020, 84’
Turkish with English subtitles
Inspired by Istanbul-born Armenian intellectual Eremya Celebi Komurciyan’s travel diaries from the 17th century, Invisible to the Eye traces this particular itinerary in today’s Istanbul. In his book titled History of Istanbul: Istanbul in the Seventeenth Century, Komurciyan talks to the reader as if he has a camera in hand. When we translate his ‘cinematic eye’ to a contemporary setting, there emerges an endless path on to the multifaceted visual history of this long-standing city. Emulating Komurciyan’s book, the film is composed of eight episodes. Integrating various types of narrative forms, shooting formats and narrational moods, the camera follows a person in a yellow coat and becomes his ‘eye’. The emphasis is always on how we literally ‘see’ the city through a compilation of stories, myths and architectural texture that have accumulated over centuries. Tracing continuities as well as ruptures in places, people and stories, we reimagine a cosmopolitan Istanbul.
The New Year is more than just a date change on the calendar. It often marks a turning point where the weight of past experiences is felt or the uncertainty of the future is faced. This season, Pera Film highlights films that delve into themes of hope, regret, nostalgia, and new beginnings.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
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