Director: Metin Akdemir
Turkey, 2020, 45’
Turkish with English subtitles
From the 1980s onwards and in tandem with significant feminism gains, some influential productions which are categorized and widely accepted as “Women’s Film” took their place in the history of Turkish Cinema.
Scenes I Imagine examines why the "queer implications/possibilities" that these so-called "Women's Films" entail are portrayed as friendship, companionship or sisterhood or why they are represented / cannot be represented as queer relations.
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
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