Director: Metin Akdemir
Turkey, 2020, 45’
Turkish with English subtitles
From the 1980s onwards and in tandem with significant feminism gains, some influential productions which are categorized and widely accepted as “Women’s Film” took their place in the history of Turkish Cinema.
Scenes I Imagine examines why the "queer implications/possibilities" that these so-called "Women's Films" entail are portrayed as friendship, companionship or sisterhood or why they are represented / cannot be represented as queer relations.
As the New Year approaches, Pera Film presents an alternative watchlist of 10 movies, ranging from Hollywood's timeless classics to memorable examples of modern cinema.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
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