Friday, June 18, 1999, City of London, 1999 Super 8 transferred to DVD, b/w, sound
, 8 min 12 s
Courtesy of Argos, Brussels
The liberating potential of dance to ‘take the streets’, which the situationists defended at some point in May 68 in a foretaste of the festive activism of movements like 15 M, are poetically reflected in Charley Case’s Friday, June 18, 1999, City of London, a black and white film shot in super 8 that documents –to the rhythm of a tango- a street party organised by the Reclaim the Streets collective, well-known for activities of this sort, which return to the subversive potential of carnival and techno raves in the practice of occupying and repoliticising public space.
Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.
Objects also bear the memory of the geography to which they relate. Ceramics, with soil as their primary material, are directly linked to the land where they are produced: forging a direct relationship with earth, ceramics bear the memory of the soil where they come from.
Constituting the entirety of all the perceived aspects of an object creating their own order, form not only contains visual elements and characteristics, but can also help elucidate concepts.
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