Todo el tiempo, 2010
, 5 min 15 s, colour, sound (music: Glez)
Courtesy of NYSUfilms
In Todo el tiempo, Jesús Hernández, with musical backing by Glez (alias Amaro Ferreiro), created a disturbing ‘last supper’ plagued with pictorialist references to and mentions of the tenebrist aesthetic and the still lifes of the Baroque tradition. With painstaking staging and a virtuoso use of the stop- motion technique, he presents us with a surprising gallery of characters who are disturbing one moment and hilarious the next. Black humour and audiovisual experimentation at the service of a story suspended in time, in which the tension keeps growing until we reach the unexpected end.
When regarding the paintings of Istanbul by western painters, Golden Horn has a distinctive place and value. This body of water that separates the Topkapı Palace and the Historical Peninsula, in which monumental edifices are located, from Galata, where westerners and foreign embassies dwell, is as though an interpenetrating boundary.
A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.
If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.
Tuesday - Saturday 10:00 - 19:00
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On Wednesdays, the students can
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