Acid Rock, 1982
, 4 min 9 s, colour, sound
Courtesy of Electronic Arts Intermix (EAI), New York
Since the end of the 1970s Dara Birnbaum has been making videos and installations in different formats with which she tries to recontextualise and subvert the icons of pop culture and the mass- media archetypes related to the consumer society and television. This is why her works sometimes take the form of telefilms, soap operas, sports programmes, publicity spots or music videos, into which she inserts subtexts that critically deconstruct the underlying ideology of the images. This is the approach taken in Acid Rock, a video made in 1982 for Documenta 7 in Kassel, during the period when the MTV music video channel flourished and had most influence in the American music industry. Dara Birnbaum recomposes the Doors’ song L.A. Woman and appropriates elements from advertising as though they were ready-mades, turning them into a feminist and anti-consumer tirade criticising the sexism of television advertising.
Jean-Léon Gérôme is among the most renowned artists of the second half of the 19th century. One of the most fervent advocates of academic painting, Gérôme declared a personal war against modern movements such as Impressionism.
Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017. Through the biennial, we will be sharing detailed information about the artists and the artworks.
Louis Isadore Kahn was born in 1901 to a Jewish family in Pärnu, Russia (today Estonia), far from Philadelphia where he spent his whole life, worked, fell in love, and breathed his last. Kahn family emigrated to America when he was five years old.
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