Nueva Ola o Desencert (Short Version), 2004, 9 min 10 s, colour, sound

Courtesy of the artist

According to Joan Morey, the pillars on which this work is raised are the adoption of New Wave aesthetics and sound —specifically the sinister side of the movement and more exactly the band Bauhaus— and appropriation of the soundtrack and certain narrative styles from Jean-Luc Godard’s film Nouvelle Vague. The video is presented as a reflection on the hypertext mechanisms used in the two movements. Morey works as though he were a cultural engineer, a cryptic revisionist who takes some of the heritage of the two movements and makes it a complex scenario filled with meanings which are not always decipherable at first sight. The references to the recent past that both movements represent are not made from the asepsis of cultural history, as all the visual echoes, sounds, fragments of meaning or imagery the artist recovers are subjected to the strict code of ethics so characteristic of his work. Fetishistic clothing, acts of submission, emotions suppressed by asepsis, contained violence... all help establish connecting points between cultural manifestations which would otherwise seem irreconcilable.

Joseph Beuys

Joseph Beuys

Dara Birnbaum

Dara Birnbaum

John Sanborn, Kit Fitzgerald (Antarctica)

John Sanborn, Kit Fitzgerald (Antarctica)

Pipilotti Rist

Pipilotti Rist

Bjørn Melhus

Bjørn Melhus

Charley Case

Charley Case

Olaf Breuning

Olaf Breuning

Cheryl Donegan

Cheryl Donegan

Ana Laura Aláez

Ana Laura Aláez

Marc Bijl

Marc Bijl

Carles Congost

Carles Congost

Joan Morey

Joan Morey

 Adel Abidin

Adel Abidin

Hugo Alonso

Hugo Alonso

Charles Atlas

Charles Atlas

Jesús Hernández

Jesús Hernández

César Pesquera

César Pesquera

Jorge Galindo and Santiago Sierra

Jorge Galindo and Santiago Sierra

A Solitary Eagle in the Sinai Desert

A Solitary Eagle in the Sinai Desert

John Frederick Lewis is considered one of the most important British Orientalist artists of the Victorian era. Pera Museum exhibited several of Lewis’ paintings as part of the Lure of the East exhibition in 2008 organized in collaboration with Tate Britain.

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’. 

Cindy Sherman Look At Me!

Cindy Sherman Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!.