Sonne Statt Reagan, 1982
, 1 min 58 s, colour, sound (music: Die Deserteure)

Courtesy of ARD TV / Bananas, Westdeutscher Rundfunk Köln

It has been said that for Joseph Beuys music swings between the extreme positions of silence and din, and perhaps because he believed that ‘every man is an artist’ – and what’s more shows it in front of large audiences – he also tried his luck as a pop singer, as part of his political commitment. In 1982, in a mixture of masquerade and activism, he infiltrated the Bananas programme on the German television channel ARD (07/03/1982), on which bands like Depeche Mode and Foreigner performed. Backed by the group Die Deserteure, he sang his song Sonne Statt Reagan, an attack on Ronald Reagan’s arms policies and a reaffirmation of his ecological commitment, on a programme with a wide audience broadcast to coincide with various demonstrations by pacifist movements in Germany. The song was eventually released as a single.

Joseph Beuys

Joseph Beuys

Dara Birnbaum

Dara Birnbaum

John Sanborn, Kit Fitzgerald (Antarctica)

John Sanborn, Kit Fitzgerald (Antarctica)

Pipilotti Rist

Pipilotti Rist

Bjørn Melhus

Bjørn Melhus

Charley Case

Charley Case

Olaf Breuning

Olaf Breuning

Cheryl Donegan

Cheryl Donegan

Ana Laura Aláez

Ana Laura Aláez

Marc Bijl

Marc Bijl

Carles Congost

Carles Congost

Joan Morey

Joan Morey

 Adel Abidin

Adel Abidin

Hugo Alonso

Hugo Alonso

Charles Atlas

Charles Atlas

Jesús Hernández

Jesús Hernández

César Pesquera

César Pesquera

Jorge Galindo and Santiago Sierra

Jorge Galindo and Santiago Sierra

Face to Face

Face to Face

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. 

The Golden Horn

The Golden Horn

When regarding the paintings of Istanbul by western painters, Golden Horn has a distinctive place and value. This body of water that separates the Topkapı Palace and the Historical Peninsula, in which monumental edifices are located, from Galata, where westerners and foreign embassies dwell, is as though an interpenetrating boundary.

The Big Country

The Big Country

When the Royal Academy of Arts offered Stephen Chambers the opportunity to produce new work for a focused exhibition in the Weston Rooms of the Main Galleries, Chambers turned to print and the possibilities it offered.