Channeling in 4 Versions, 2001,
4 min 50 s, colour, sound
Courtesy of Electronic Arts Intermix (EAI), New York
Cheryl Donegan’s work integrates experimental video narrative with other forms such as painting, drawing and installation. Her videos put a subversive spin on issues of gender, art history and pop culture. Channeling in 4 Versions develops a dream fantasy that mixes television comedy and psychedelia, starting with the music of the rock opera Tommy, by The Who (1969), and the 1970s film of the same name starring Ann-Margret.
Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.
In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.
A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.
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