ANTFILM
Director: Tetsuya Maruyama
Japan, 2020, 2’14’’, HDD, Color
No Dialogue
How can one go against the system when you are part of it?
Animal Farm
Director: James Hollenbaugh
USA, 2019, 3’, HDD, Black&white
Engllish with Turkish Subtitles
The animals do not stay long at the 'Animal Farm'. Animals arrive but never leave. Uncle Steve won't let them. It’s a place where animals come to die.
Anthology for Fruits and Vegetables
Director: Dawn George
Canada, 2019, 15’, HDD, Color
No Dialogue
The secret language of 26 fruits and vegetables revealed through eco-developing and eco-reversal film processing techniques. A refreshing way to get the recommended dose of 26 fruits and vegetables without all the harsh chemicals.
Art&Facts
Directors: Zélia Devooght & Théo Colliat
French, 2020, 2’ 34’’, HDD, Color
French with TUrkish, English Subtitles
A visual and sound poem made from silver films altered by time.
Field Resistance
Director: Emily Drummer
USA, 2019, 15’, HDD, Color
No dialogue
Charging scenes of the present with dystopian speculation, Field Resistance blurs the boundaries between documentary filmmaking and science fiction to investigate overlooked environmental devastation in the overlooked state of Iowa. Footage collected from disparate locations—a university herbarium, karst sinkholes inhabited by primordial flora and fauna, a telecommunication tower job site, a decaying grain silo, among others—interlocks to evoke a narrative of present danger and future disaster, of plant expansion and humanity’s retreat. The film rejects the human individual as the focus of narrative cinema, and, instead, adopts the perspective of a symbiotic “implosive whole” in which humans and nonhumans are related in an overlapping, non-total way.
From time without beginning
Direcor: Lorenzo Gattorna
USA, 2021, 6’ 40’’, HDD, Black & White and Color
No Dialogue
'Death in Kashi is "liberation"'. – Death in Banaras, Jonathan P. Parry, 1994
No Garden Beyond
Director: Anna Kipervaser, Rhys Morgan
Bermuda , 2019, 11’, HDD, Color
No Dialogue
Scenes from above, below and around the Sargasso Sea, a body of water unbounded by land where ecology and mythology have coexisted since before Juan de Bermúdez’s 1505 expedition. Where spirits whisper through the Island’s flora and fauna, only to be interrupted by the alternating currents of manmade ruin and regeneration.
Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
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Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 100 TL
Discounted: 50 TL
Groups: 80 TL (minimum 10 people)
