La quema
Director: Tomas Rautenstrauch
Argentina, 2015, 12', HDD, color
No Dialogue
It's Autumn. It's Winter. The seasons blend together. Someone burns pastures. Almost nothing happens, only the passing of time. A time fragmented by the image.
Corriente
Director: Julio Fermpin
Argentina, 2017, 6', HDD, renkli / color
No Dialogue
A fascinated gaze upon the exuberance of the Argentine province of Corrientes wanders through the Esteros del Iberá and the coasts of Empedrado. In its passing, it deposits attention on the overflow of life that surrounds everything.
Ánima
Director: Clara Frías
Argentina, 2015, 6', HDD, color
No Dialogue
Portrait of EPIPHYLLUM OXYPETALUM cactus flower.
The bud grows for 30 days, blooms at night and dies the next morning.
Untitled Sunset
Director: Gonzalo Egurza
Argentina, 2020, 3', HDD, color
No Dialogue
An exercise edited on Super8 camera about the sunset.
Dark Paradise: Humans in Galapagos
Directors: Paul Rosero Contreras
Ecuador, 2019, 18', HDD, color
No Dialogue
As an element that appeals strongly to the imagination, an island may be the incarnation of anti-nationalist dreams, primitive inspirations or the desire for isolation. Following their discovery in 1535, the Galapagos Islands remained largely uninhabited until 1832, when they were annexed to Ecuador. Contreras’s project investigates the first settlements in the archipelago as a paradigmatic social experiment. Dark Paradise brings together historical archeology and mythological narrative to develop a metaphor about resilient underwater species and their seemingly paradisiacal appearance.
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)
 La quema_01.jpeg)
 UNTITLED (SUNSET).jpg)
