Panorama: Hambre

La quema 

Director: Tomas Rautenstrauch
Argentina, 2015, 12', HDD, color
No Dialogue

​​It's Autumn. It's Winter. The seasons blend together. Someone burns pastures. Almost nothing happens, only the passing of time. A time fragmented by the image. 

Corriente

Director: Julio Fermpin
Argentina, 2017, 6', HDD, renkli / color
No Dialogue

A fascinated gaze upon the exuberance of the Argentine province of Corrientes wanders through the Esteros del Iberá and the coasts of Empedrado. In its passing, it deposits attention on the overflow of life that surrounds everything. 

Ánima

Director: Clara Frías
Argentina, 2015, 6', HDD, color
No Dialogue

Portrait of EPIPHYLLUM OXYPETALUM cactus flower.
The bud grows for 30 days, blooms at night and dies the next morning. 

Untitled Sunset

Director: Gonzalo Egurza
Argentina, 2020, 3', HDD, color
No Dialogue

An exercise edited on Super8 camera about the sunset.

Dark Paradise: Humans in Galapagos 

Directors: Paul Rosero Contreras 
Ecuador, 2019, 18', HDD, color
No Dialogue

As an element that appeals strongly to the imagination, an island may be the incarnation of anti-nationalist dreams, primitive inspirations or the desire for isolation. Following their discovery in 1535, the Galapagos Islands remained largely uninhabited until 1832, when they were annexed to Ecuador. Contreras’s project investigates the first settlements in the archipelago as a paradigmatic social experiment. Dark Paradise brings together historical archeology and mythological narrative to develop a metaphor about resilient underwater species and their seemingly paradisiacal appearance. 

Panel: Rethinking the Archive

Panel: Rethinking the Archive

Panorama: Colombian Highlights

Panorama: Colombian Highlights

Panorama: Emerging Artists

Panorama: Emerging Artists

Panorama: Hambre

Panorama: Hambre

Panorama: Nomadica

Panorama: Nomadica

Panorama: Portraits - KLEX

Panorama: Portraits - KLEX

Panorama: Tech-Myth

Panorama: Tech-Myth

Retrospective of Vivian Ostrovsky: Program 1

Retrospective of Vivian Ostrovsky: Program 1

Retrospective of Vivian Ostrovsky: Program 2

Retrospective of Vivian Ostrovsky: Program 2

Retrospective of Vivian Ostrovsky: Program 3

Retrospective of Vivian Ostrovsky: Program 3

Competition: Analog Works

Competition: Analog Works

Competition: Animation - I

Competition: Animation - I

Competition: Animation - II

Competition: Animation - II

Competition: Between Motion and Stillness

Competition: Between Motion and Stillness

Competition: Essay-I

Competition: Essay-I

Competition: Essay-3

Competition: Essay-3

Competition: Essay - 4

Competition: Essay - 4

Competition: Ethnogeographic

Competition: Ethnogeographic

Competition: First Experiments

Competition: First Experiments

Competition: Found Footage – I

Competition: Found Footage – I

Competition: Fresh Air-I

Competition: Fresh Air-I

Competition: Fresh Air-II

Competition: Fresh Air-II

Competition: Memory Boom

Competition: Memory Boom

Competition: Personal Cinema

Competition: Personal Cinema

Competition: A Machine to Live In

Competition: A Machine to Live In

Special Screening: When Forever Dies

Special Screening: When Forever Dies

Competition: Eyes/Eyes<br>Eyes/Eyes

Competition: Eyes/Eyes
Eyes/Eyes

Competition: Ailleurs Partout

Competition: Ailleurs Partout

Competition: The Personal Life of a Hole

Competition: The Personal Life of a Hole

Competition: This is China of a Particular Sort, I Do Not Know

Competition: This is China of a Particular Sort, I Do Not Know

Retrospective of Vivian Ostrovsky: Top Ten Designers

Retrospective of Vivian Ostrovsky: Top Ten Designers

Competition: Autumnal Sleeps

Competition: Autumnal Sleeps

Competition: Inside The Outset - Evoking A Space of Passage

Competition: Inside The Outset - Evoking A Space of Passage

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day. 

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.