Competition: Found Footage – I

Ani_av1 (Collage18)  

Director: Luis Carlos Rodriguez
Spain, 2019, 6’, HDD, b&w
No Dialogue 

Several films at the same time intersect generating one and a thousand new stories. You will never / always see and not watch a movie. The audiovisual arts do not need the story. We became non-narrative what was done to be narrative. With the technique taken from the Fine Arts and as an audiovisual collage, we make narrative and ecological hacks on films in the public domain...

Cells and Glass  

Director: Hayashi Yuki
Japan, 2020, 9’, HDD, color
Japanese with English, Turkish subtitles  

“After discussions with researchers at CiRA, I wrote a script and produced a video piece, set in the future and based on the actual science described above.” - Hayashi Yuki

First Hypnotic Suggestion

Directors: Brittany Gravely, Kenneth Linehan 
USA, 2020, 10’, HDD, renkli / color 
No Dialogue 

First Hypnotic Suggestion conjures telepathic transference, hypnosis and collective dream space. Through its spectral tele-cinematic waves, the analogue horror-film protagonists participate in paranormal and fringe scientific experiments, attempting to comprehend the immaterial and incomprehensible expanses of their perception—simultaneously aided and obstructed by the temporal interventions and technological mediations of their transitory parallel dimension.

If the Eye Were an Animal, its Soul Would be the Sight 

Director: Marc Samper
Spain, 2021, 8’, HDD, color
No Dialogue

The visionary journey, If the eye were an animal, its soul would be the sight, is an experimental-ecstatic itinerary that superimposes images of present-day Berlin with images found on old VHS tapes. The film reflects on the way we consume images in context of the Global mass media and how these processed images seen on-screen shape our interiority.  Violence, war, consumption, and leisure are juxtaposed in a solution of continuity in which everything is diluted. 

New Mexico Deathwish Diatribe

Director: Georg Koszulinski
USA, 2020, 12’, HDD, color
No Dialogue

Three narrators converge in the deserts of New Mexico, each with a separate story to tell. One narrator is J. Robert Oppenheimer, another is a visitor from outer space, and the other is me. Our stories converge across the span of time and space into a single stream of consciousness. 

Tape Letters From the Waiting Room 

Director: Steven McInerney
UK, 2020, 18’, HDD, renkli / color
English with Turkish subtitles 

An existential drama exploring the universal themes of death and rebirth. Tape Letters from the Waiting Room is an experiment in film archaeology and magnetic memory as it navigates past life experiences. Shifting in succession from the mundane to the metaphysical, the film is composed of extant 16mm found footage from the past century. An original soundtrack by Mark Vernon encompasses a rich collection of domestic tape recordings; audio letters, dictated notes, found sounds and other lost voices. 

Panel: Rethinking the Archive

Panel: Rethinking the Archive

Panorama: Colombian Highlights

Panorama: Colombian Highlights

Panorama: Emerging Artists

Panorama: Emerging Artists

Panorama: Hambre

Panorama: Hambre

Panorama: Nomadica

Panorama: Nomadica

Panorama: Portraits - KLEX

Panorama: Portraits - KLEX

Panorama: Tech-Myth

Panorama: Tech-Myth

Retrospective of Vivian Ostrovsky: Program 1

Retrospective of Vivian Ostrovsky: Program 1

Retrospective of Vivian Ostrovsky: Program 2

Retrospective of Vivian Ostrovsky: Program 2

Retrospective of Vivian Ostrovsky: Program 3

Retrospective of Vivian Ostrovsky: Program 3

Competition: Analog Works

Competition: Analog Works

Competition: Animation - I

Competition: Animation - I

Competition: Animation - II

Competition: Animation - II

Competition: Between Motion and Stillness

Competition: Between Motion and Stillness

Competition: Essay-I

Competition: Essay-I

Competition: Essay-3

Competition: Essay-3

Competition: Essay - 4

Competition: Essay - 4

Competition: Ethnogeographic

Competition: Ethnogeographic

Competition: First Experiments

Competition: First Experiments

Competition: Found Footage – I

Competition: Found Footage – I

Competition: Fresh Air-I

Competition: Fresh Air-I

Competition: Fresh Air-II

Competition: Fresh Air-II

Competition: Memory Boom

Competition: Memory Boom

Competition: Personal Cinema

Competition: Personal Cinema

Competition: A Machine to Live In

Competition: A Machine to Live In

Special Screening: When Forever Dies

Special Screening: When Forever Dies

Competition: Eyes/Eyes<br>Eyes/Eyes

Competition: Eyes/Eyes
Eyes/Eyes

Competition: Ailleurs Partout

Competition: Ailleurs Partout

Competition: The Personal Life of a Hole

Competition: The Personal Life of a Hole

Competition: This is China of a Particular Sort, I Do Not Know

Competition: This is China of a Particular Sort, I Do Not Know

Retrospective of Vivian Ostrovsky: Top Ten Designers

Retrospective of Vivian Ostrovsky: Top Ten Designers

Competition: Autumnal Sleeps

Competition: Autumnal Sleeps

Competition: Inside The Outset - Evoking A Space of Passage

Competition: Inside The Outset - Evoking A Space of Passage

“New Year” as a Turning Point: An Alternative New Year's Watchlist by Pera Film

“New Year” as a Turning Point: An Alternative New Year's Watchlist by Pera Film

The New Year is more than just a date change on the calendar. It often marks a turning point where the weight of past experiences is felt or the uncertainty of the future is faced. This season, Pera Film highlights films that delve into themes of hope, regret, nostalgia, and new beginnings.

İstanbul: Before & After

İstanbul: Before & After

Selected from the Suna and İnan Kıraç Foundation Photography Collection, we present the landscapes and places in Istanbul photographs, dating from the 1850s to the 1980s, together with their present-day views!

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.