Competition: Essay-3

3xShapes of Home

Director: Elisabeth Brun
Norway, 2020, 7’, HDD, Color
English with Turkish Subtitles

3xShapes of Home (2020) is a 7 minute experimental video in the intersection between an essay film, a structural experiment and a visual poem. In this video, the filmmaker revisits her place of origin, the small village of Strengelvåg in the Arctic North of Norway. Over a period of two years, she explores through her camera, how the architectures and topographies of that place, that is: the mountains, oceans and built environments, has shaped the filmmaker´s attachment to her childhood place, as well as her thinking. Hunting for insight beyond the subjective, she renders her experience through three sets of film techniques, such as camera position, superimposition and algorithm, and tests her relation to place, against the agency of the camera, the agency of the algorithm and the subjectivity of other creatures, such as a fish and a crab. We hear her voice-over shift from poetic, to analytical, to playful, and numb, as she responds to the way her village is portrayed through the formal operations of the moving image.

Choose Your Own Father

Director: Madyha J. Leghari
Pakistan, 2020, 11’ 31’’, HDD, Color
English with Turkish Subtitles 

Choose Your Own Father is an essay film that derives from extensive archival research into John Latham’s early history in Zambia, describing personal histories of Latham’s father and interweaving these with those of the filmmaker's own father. John Latham (1921 - 2006) was a Northern-Rhodesian born British conceptual artist. His father, Geoffrey Latham, was a colonial administrator who was instrumental in implementing the Bantu Educational Kinema Experiment. Under this program silent educational films were produced and screened to ‘native’ people via mobile cinemas in the British territories in East and Central Africa. It signaled the British Empire embracing soft power and indirect rule in late colonial period. The filmmaker's own father, Muhammad Jan Leghari, comes from a Baloch tribe that was nomadic till a generation ago. His own military career has continued with this itinerant way of being. 

Watching The Pain of Others

Director: Chloé Galibert-Laîné
France, 2019, 31’, HDD, Renkli / Color
French, English with English, Turkish Subtitles 

In this deeply personal video diary, a young researcher tries to make sense of her fascination for the film The Pain of Others by Penny Lane. A deep dive into the discomforting world of YouTube and online conspiracies, that challenges traditional notions of what documentary cinema is, or should be.

Panel: Rethinking the Archive

Panel: Rethinking the Archive

Panorama: Colombian Highlights

Panorama: Colombian Highlights

Panorama: Emerging Artists

Panorama: Emerging Artists

Panorama: Hambre

Panorama: Hambre

Panorama: Nomadica

Panorama: Nomadica

Panorama: Portraits - KLEX

Panorama: Portraits - KLEX

Panorama: Tech-Myth

Panorama: Tech-Myth

Retrospective of Vivian Ostrovsky: Program 1

Retrospective of Vivian Ostrovsky: Program 1

Retrospective of Vivian Ostrovsky: Program 2

Retrospective of Vivian Ostrovsky: Program 2

Retrospective of Vivian Ostrovsky: Program 3

Retrospective of Vivian Ostrovsky: Program 3

Competition: Analog Works

Competition: Analog Works

Competition: Animation - I

Competition: Animation - I

Competition: Animation - II

Competition: Animation - II

Competition: Between Motion and Stillness

Competition: Between Motion and Stillness

Competition: Essay-I

Competition: Essay-I

Competition: Essay-3

Competition: Essay-3

Competition: Essay - 4

Competition: Essay - 4

Competition: Ethnogeographic

Competition: Ethnogeographic

Competition: First Experiments

Competition: First Experiments

Competition: Found Footage – I

Competition: Found Footage – I

Competition: Fresh Air-I

Competition: Fresh Air-I

Competition: Fresh Air-II

Competition: Fresh Air-II

Competition: Memory Boom

Competition: Memory Boom

Competition: Personal Cinema

Competition: Personal Cinema

Competition: A Machine to Live In

Competition: A Machine to Live In

Special Screening: When Forever Dies

Special Screening: When Forever Dies

Competition: Eyes/Eyes<br>Eyes/Eyes

Competition: Eyes/Eyes
Eyes/Eyes

Competition: Ailleurs Partout

Competition: Ailleurs Partout

Competition: The Personal Life of a Hole

Competition: The Personal Life of a Hole

Competition: This is China of a Particular Sort, I Do Not Know

Competition: This is China of a Particular Sort, I Do Not Know

Retrospective of Vivian Ostrovsky: Top Ten Designers

Retrospective of Vivian Ostrovsky: Top Ten Designers

Competition: Autumnal Sleeps

Competition: Autumnal Sleeps

Competition: Inside The Outset - Evoking A Space of Passage

Competition: Inside The Outset - Evoking A Space of Passage

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.

“New Year” as a Turning Point: An Alternative New Year's Watchlist by Pera Film

“New Year” as a Turning Point: An Alternative New Year's Watchlist by Pera Film

The New Year is more than just a date change on the calendar. It often marks a turning point where the weight of past experiences is felt or the uncertainty of the future is faced. This season, Pera Film highlights films that delve into themes of hope, regret, nostalgia, and new beginnings.