Director: Albert García-Alzórriz
Spain, 2020, 37’, HDD, b&w
An archive holds fragments of toppled statues. Inside, the air from a fan caresses the archivists’ stalled gestures as they rest, unmoving. The hum of the motor and the drawn-out wait induce sleep: In a dream, soldiers and civilians smile, motionless. (Faraway shots, bullets whistling and explosions). In another dream, there are just stones, indifference and oblivion. (None of the above is real or true).
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
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On Wednesdays, the students can
visit the museum free of admission.
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