Panorama: Emerging Artists

With their programme Emerging Artists – Contemporary Experimental Films andVideo Art From Germany AG Kurzfilm – German Short Film Association and German Films present the fifth edition of short experimental works by young upcoming artists. The initiators would like to promote highly artistic film and video art works, which can not only be screened at festivals, but also in museums and galleries. 

Flüssige Wesenszüge einer Bildapparatur (Liquid Traits of an Image Apparatus)  

Director: Vera Sebert
7’ 22’’, 2019

On a cinema screen these images are detached from their initial meaning. Like a random rhizome  structure an associative montage of minimalistic user interfaces follows the film’s timeline. Our own body  perception and our interpretation formed by media conditions become protagonists in a film without  narrative. 

Nicer, Soon 

Director: Julius Weigel
11’, 2019 

In NICER, SOON a narrator shares two memories. In the process of repeating them in rotation they seem  to get charged by ideas of romantic popular culture. The images in this one take are described in circular  motion, leading to the understanding that everyone is in the center of their surroundings.  

Beasts of No Nation 

Director: Krzysztof Honowski
9’, 2019

An essay film about crowds, nationalism, and the loneliness of rollercoasters. Born in London to Polish  immigrants, Krzysztof Honowski is very confused by what is happening in those countries right now.  Together with actress Laura Sundermann they create a parody of a grand narrative that “speaks for a  generation”. 

If There is Love, You Will Take it 

Director: Daniel Hopp
10’, 2020

Like talking toy animals, we sit there and speak, every day. We speak copy-and-paste language. We  don’t know yet what we will have said. In the ‘Istanbul’, it‘s risky – like being on a ‘Scarface’ film trip. It  can work, it can fail, just like maintaining the role. 

Centauress 

Director: Deniz Şimşek
8’, 2020

Year 2003, footage from TV archives, the future president of Turkey speaks to his folk. Gender – an  intimate memory, 2nd grade, the schoolyard in Üsküdar under blue sky. An everlasting catchy tune from  a juice commercial. In an instant of remembrance your memory gets you to fall through its own time and  space. 

From My Desert 

Director: Veneta Androva
14’, 2019 

The young investor is ecstatic about the meeting. There he hangs, Martin, beautiful, alluring, exciting.  It's almost like love. But can the relationship last? (Carolin Weidner, DOK Leipzig 2019)

Letters from Silivri 

Director: Adrian Figueroa
15’, 2020

Letters From Silivri draws on letters of the Turkish philanthropist and public intellectual Osman Kavala to document a timeline of his imprisonment. 

Top Down Memory 

Director: Daniel Theiler
12’, 2020

The film deals with the manipulation of history in the context of the reconstruction of the Berlin City  Palace. Starting from the confusions surrounding an alledged proclamation of a socialist republic from  one of its balconies in 1918, the film examines other political events that occurred on balconies.  Reenactments of iconic political and cultural events on the original balcony raise questions about  authenticity and manipulation.

Panel: Rethinking the Archive

Panel: Rethinking the Archive

Panorama: Colombian Highlights

Panorama: Colombian Highlights

Panorama: Emerging Artists

Panorama: Emerging Artists

Panorama: Hambre

Panorama: Hambre

Panorama: Nomadica

Panorama: Nomadica

Panorama: Portraits - KLEX

Panorama: Portraits - KLEX

Panorama: Tech-Myth

Panorama: Tech-Myth

Retrospective of Vivian Ostrovsky: Program 1

Retrospective of Vivian Ostrovsky: Program 1

Retrospective of Vivian Ostrovsky: Program 2

Retrospective of Vivian Ostrovsky: Program 2

Retrospective of Vivian Ostrovsky: Program 3

Retrospective of Vivian Ostrovsky: Program 3

Competition: Analog Works

Competition: Analog Works

Competition: Animation - I

Competition: Animation - I

Competition: Animation - II

Competition: Animation - II

Competition: Between Motion and Stillness

Competition: Between Motion and Stillness

Competition: Essay-I

Competition: Essay-I

Competition: Essay-3

Competition: Essay-3

Competition: Essay - 4

Competition: Essay - 4

Competition: Ethnogeographic

Competition: Ethnogeographic

Competition: First Experiments

Competition: First Experiments

Competition: Found Footage – I

Competition: Found Footage – I

Competition: Fresh Air-I

Competition: Fresh Air-I

Competition: Fresh Air-II

Competition: Fresh Air-II

Competition: Memory Boom

Competition: Memory Boom

Competition: Personal Cinema

Competition: Personal Cinema

Competition: A Machine to Live In

Competition: A Machine to Live In

Special Screening: When Forever Dies

Special Screening: When Forever Dies

Competition: Eyes/Eyes<br>Eyes/Eyes

Competition: Eyes/Eyes
Eyes/Eyes

Competition: Ailleurs Partout

Competition: Ailleurs Partout

Competition: The Personal Life of a Hole

Competition: The Personal Life of a Hole

Competition: This is China of a Particular Sort, I Do Not Know

Competition: This is China of a Particular Sort, I Do Not Know

Retrospective of Vivian Ostrovsky: Top Ten Designers

Retrospective of Vivian Ostrovsky: Top Ten Designers

Competition: Autumnal Sleeps

Competition: Autumnal Sleeps

Competition: Inside The Outset - Evoking A Space of Passage

Competition: Inside The Outset - Evoking A Space of Passage

Il Cavallo di Leonardo

Il Cavallo di Leonardo

In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier. 

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

İstanbul: Before & After

İstanbul: Before & After

Selected from the Suna and İnan Kıraç Foundation Photography Collection, we present the landscapes and places in Istanbul photographs, dating from the 1850s to the 1980s, together with their present-day views!