Competition: Essay - 4

Battlefield

Directors: Silvia Biagioni & Andrea Laudante
Italy, 2020, 10’, HDD, Black&White
No Dialogue

Intimate, other, virginal, objectified, ethereal, fragmented: the female body mirrors a battlefield for all women that, in the 1960's and 1970's, claimed its re-appropriation.Battlefield is a tribute to all second-wave feminist movements; through fragments of daily life and social battles, it reconstructs those key moments in our recent history. Sound and images give voice to the archives of Archivio Audiovisivo del Movimento Operaio e Democratico, in an imaginary journey between different representations of femininity of that time. 

Same/Different/Both/Neither

Directors: Adriana Barbosa, Fernanda Pessoa
Brazil, 2020, 18’ 30’’, HDD, Color
English, Portuguese, Spanish with English, Turkish Subtitles 

In a period of isolation, far away from each other, two friends reconnect through video-letters, inspired by the poetic gaze of women experimental filmmakers: Marie Menken, Joyce Wieland, Gunvor Nelson and Yvonne Rainer. Fernanda is a Brazilian living in São Paulo, Adriana is a Mexican-Brazilian living in Los Angeles. They share their inspiration while capturing the reality of these times: the pot-banging protests against Bolsonaro, a home moving, the passing of days that feel all the same, gentrification that won’t stop even during a pandemic, the Black Lives Matter protests and the yearning of meeting each other again soon.

Ekstase 

Director: Marion Kellmann
Germany, 2019, 11’27’’, HDD, Black&White
No Dialogue

Ekstase is a montage of scenes from various European silent films. Based on similar settings and gestures it explores the stereotype of women on the verge of insanity. Reaching its peak in an eruption of hysteria the film displays the women as captives in a continuous cycle of symptoms, diagnosis and treatment.

While I’m Still Breathing

Director: Laure Giappiconi
France, 2019, 12’ 25’’, HDD, Black&White
English-French with Turkish-English Subtitles

In a 3 movement narrative, the movie draws the journey through a woman's sexuality, in all its roughness and softnesses. From that little girl inspired by the models painted by Paul Delvaux and Klimt, to her first sensual gestures as a teenager and her experience as a stripper, we gradually see a woman unfold. With great intimacy and sensitivity, she reveals the sensual relationship to her own femininity and to those who she has once shared a special moment with.

Panel: Rethinking the Archive

Panel: Rethinking the Archive

Panorama: Colombian Highlights

Panorama: Colombian Highlights

Panorama: Emerging Artists

Panorama: Emerging Artists

Panorama: Hambre

Panorama: Hambre

Panorama: Nomadica

Panorama: Nomadica

Panorama: Portraits - KLEX

Panorama: Portraits - KLEX

Panorama: Tech-Myth

Panorama: Tech-Myth

Retrospective of Vivian Ostrovsky: Program 1

Retrospective of Vivian Ostrovsky: Program 1

Retrospective of Vivian Ostrovsky: Program 2

Retrospective of Vivian Ostrovsky: Program 2

Retrospective of Vivian Ostrovsky: Program 3

Retrospective of Vivian Ostrovsky: Program 3

Competition: Analog Works

Competition: Analog Works

Competition: Animation - I

Competition: Animation - I

Competition: Animation - II

Competition: Animation - II

Competition: Between Motion and Stillness

Competition: Between Motion and Stillness

Competition: Essay-I

Competition: Essay-I

Competition: Essay-3

Competition: Essay-3

Competition: Essay - 4

Competition: Essay - 4

Competition: Ethnogeographic

Competition: Ethnogeographic

Competition: First Experiments

Competition: First Experiments

Competition: Found Footage – I

Competition: Found Footage – I

Competition: Fresh Air-I

Competition: Fresh Air-I

Competition: Fresh Air-II

Competition: Fresh Air-II

Competition: Memory Boom

Competition: Memory Boom

Competition: Personal Cinema

Competition: Personal Cinema

Competition: A Machine to Live In

Competition: A Machine to Live In

Special Screening: When Forever Dies

Special Screening: When Forever Dies

Competition: Eyes/Eyes<br>Eyes/Eyes

Competition: Eyes/Eyes
Eyes/Eyes

Competition: Ailleurs Partout

Competition: Ailleurs Partout

Competition: The Personal Life of a Hole

Competition: The Personal Life of a Hole

Competition: This is China of a Particular Sort, I Do Not Know

Competition: This is China of a Particular Sort, I Do Not Know

Retrospective of Vivian Ostrovsky: Top Ten Designers

Retrospective of Vivian Ostrovsky: Top Ten Designers

Competition: Autumnal Sleeps

Competition: Autumnal Sleeps

Competition: Inside The Outset - Evoking A Space of Passage

Competition: Inside The Outset - Evoking A Space of Passage

Giorgio de Chirico

Giorgio de Chirico

Giorgio de Chirico was born on July 10, 1888, in Volos, Greece, to an Italian family. His mother, Gemma Cervetto, was from a family of Genoa origin, but most likely she was born in Izmir. His father, Evaristo, was born on June 21, 1841 in the Büyükdere district of Istanbul.

“New Year” as a Turning Point: An Alternative New Year's Watchlist by Pera Film

“New Year” as a Turning Point: An Alternative New Year's Watchlist by Pera Film

The New Year is more than just a date change on the calendar. It often marks a turning point where the weight of past experiences is felt or the uncertainty of the future is faced. This season, Pera Film highlights films that delve into themes of hope, regret, nostalgia, and new beginnings.

Il Cavallo di Leonardo

Il Cavallo di Leonardo

In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.