As In A Land, A Vagary
Director: Giuseppe Boccassini
Germany, 2020, 15', HDD, renkli / color
No Dialogue
As adjustments between images rather than within them, the film roams provissorialy along the hidden folds of things, through which it slips systematically. Phagocytized by its surroundings, the film vanishes within everything that seems to be alive around it. Staring at the horizon, yet landing on the surface, such metamorphoses do not necessarily concern the intimate nature of things, out of respect for that curios dualism which somehow distinguishes them unconditionally as vague and singular cosmologies.
Fracture
Director: Laura Kraning
USA, 2019, 4', HDD, color
No Dialog
Fracture mines the slips between stillness and motion, as cracks and fissures of bark and stone are spliced and layered, frame by frame, intersecting slices of time. Gathered and assembled over two years, the scarred surfaces of tree limbs and stratified rock collide with slabs of marble and clusters of moss, crystallizing into a flickering mirage of radiating branches and splintered veins of iridescence.
Origami Tutorial
Director: Heehyun Choi
USA, 2020, 6', HDD, color
English with Turkish subtitles
While repeatedly folding a piece of paper, you will be introduced to somewhere you’ve never expected. What is an image? What is a reality? What is a film?
The Photoplay Obeys The Laws Of The Mind
Director: Gloria Chung
UK, 2017, 8', HDD, renkli / color
No Dialogue
Using the closest thing we have to time travel – the moving image – to ask questions of time relative to light, motion, and mass. Does light prolong, stop, reverse time? Does motion alter our experience of time? Does mass warp our sense of time?
Selected Milk (Added from Reconstituted Milk Powder Whole Pasteurized Homogenized)
Director: Alfonso Camarero
Spanish, 2020, 20', HDD, renkli / color
English With Turkish Subtitles
Selected Milk (Added from Reconstituted Milk Powder Whole Pasteurized Homogenized), is in the form of a manual for sellers of milk cartons in supermarkets. Meanwhile, the scenes reflect the flashes of life of a potential seller who does not meet the conditions of a milk carton salesman.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
By using our website, you allow cookies. For more information, please visit our cookie policy.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 100 TL
Discounted: 50 TL
Groups: 80 TL (minimum 10 people)
